DAY TWENTY SEVEN:
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Oct. 7
The battle is afoot, bombs are falling and by Monday we shall know whether or
not the American attacks on Afghani targets were, in fact, surgical. American
soul searching will now begin in earnest.
Had it not been for the ever-worsening odor from Ground Zero, today would have
been an Eden in New York. Temperatures have fallen to genuine autumnal lows, and
brisk forceful winds swept through the city, carrying the stench of Ground Zero
vast distances. It has worsened to such a degree that I have experienced
involuntary gagging today, and half the people I encounter complain of having a
"cold", marked by gagging, sore throat, burning eyes, runny noses and vague
nausea. The metallic sensation produced by the emissions from Ground Zero is now
unmistakable, reminiscent of the air of industrial Siberia.
Nevertheless, in uptown Manhattan it was possible to ignore such reminders of
America's new era. Throngs of tourists have grabbed travel packages from all
over the country, and lines for Broadway shows are once again blocks long. Even
dreadful musicals, such as "Les Miserables", have gullible tourists queued at
the doors once again. Gaggles of tourists were guided around Brooklyn Heights
today, for the first time since September 11, and had a new stop added to their
tour package: a Promenade view of Ground Zero.
New Yorker's citizenry was also out in throngs today, apparently unaware of the
day's events overseas. As evening fell, and the citizenry turned on their
television sets the news of war could be heard emanating from the few open
windows in my neighborhood. With temperatures dropping below freezing tonight,
and the air so acrid, not many Brooklynites have open windows, of course. But
the blue TV screens seen through window after window were glued to events
thousands of miles away.
New Yorkers know, of course, that the White House has warned the New York
Congressional delegation that there is an "almost certainty" today's attacks on
Afghanistan will spawn retaliatory terrorist actions here in the United States.
No one has officially indicated that New York City is considered a likely target
for a second round, but the nervous residents of this city didn't need to hear
officials call for a "heightened state of alert" -- they went there on their
own.
It is hard to know how events overseas will affect our city elections on
Tuesday, but they will. It is possible that the traditionally liberal voters of
New York will react with horror if civilian targets are accidentally hit by US
bombings, and that might be good for Ferrer. It is equally likely that the
heightened sense of imminent retaliatory threat to Gotham will move many voters
to consider voting for Green, the candidate who has signaled a willingness to
work with Rudy Giuliani in an expanded transition period.
Nationally this is certainly an equally politically volatile time. Regardless of
any American's political views before September 11, those I speak with express
angst over the complexity of these times. Whether they are Washington military
analysts or the street venders I speak with along Park Avenue Americans are
finding it difficult to fall back on pat political maxims and tenets that they
lived by before more than 5,000 innocent civilians were slaughtered. There is
fear in the air, and genuine threat. It makes simplistic answers, left or right,
impossible to adopt. This is a time for each American to test their beliefs,
character and sympathies.
Here in New York people wonder if the rest of the nation -- indeed, the world --
fully appreciates how radically our lives have changed, and to what extent the
transformations are permanent. In conversations with friends and interviewees
there is an anxiety expressed about this. It's difficult to explain, but I will
try. An old college pal was in town to screen one of his movies earlier this
week, and we both squeezed out a couple of hours for lunch. Along our walk to
the bistro every store window had American flags, pictures of the World Trade
Center, signs that said "Never Forget" and other sentiments. One furniture store
along that route has a remarkable piece of art in its window. It is a large
American flag made out of toy emergency vehicles: the red stripes are composed
of fire trucks, the white of ambulances and the blue field is toy police cars.
We discussed the difference between such displays and sentiments in my chum's
Los Angeles and here, in New York.
In California, he said, it's about patriotism, and whether or not
an individual or business displays such symbols and sentiments is
something of a reflection of their political views: Not so in New
York. Here, for most people, the flag, firefighters, rescue workers
and World Trade Center images are interchangeable parts meant to speak
to heroism and defiance. These symbols, ubiquitous in their display
citywide, are expressions of the collective emotional gestalt, which
is not too far from what, two months ago, might have been summarized
with the cliché "Brooklyn Attitude". It's like Robert De Niro turning
to face the camera and saying, "You talking to me' Huh? You talking
to me". Or Joe Pesci, in his thickest regional accent, saying, "You
want a piece of me? I'm talking to you, %^$%! You want a piece of
me," usually followed by the sound of an automatic weapon or a fist
slamming into a face. It's not pretty, but it's New York. It's the
emotional grit that has kept this place alive for centuries, made
it attractive to some and alienating to others. Those defiant symbols,
whether they be flags or shrines, World Trade Center posters or T-shirts
depicting firefighters at Ground Zero and the words "America's Heroes",
are less about patriotism than flipping the bird at unseen enemies.
It reminds me of an old Brooklyn joke. Three guys decide to travel around the
world together. One is from Paris, one from London and the third from Brooklyn.
They are captured by cannibals and tied to stakes. The cannibal leader, who in
some renditions speaks with a Yiddish accent and acts like Mel Brooks, says, "I
got good news for you, and bad news for you. The good news is that you get to
choose how you wanna die. The bad news is we're gonna eat your insides and make
canoes out of your skin. So, who goes first?"
The Parisian gallantly shouts, "Give me the knife," and WHOOSH, slits his own
throat. The Brit, not to be outdone by a French man, grabs the knife and WHOOSH,
slits his throat, too.
The Brooklynite smirks. There is a pause, during which the Brooklynite stares
straight into the cannibal chief's eyes.
"Well," the chief asks, "what will it be?"
"Gimme a friggin' fork," the Brooklynite says in a Flatbush accent so thick that
he has to repeat his request several times before the chief believes his ears,
and orders a fork handed to the man. The Brooklynite snaps up the fork and stabs
himself all over, poking holes in his skin, and shouts, "Try making a friggin'
boat out of this, jerk!"
Now that is Brooklyn attitude. And that comes a lot closer to explaining the
flags and symbols festooned all over the city than do the lyrics of the "Star
Spangled Banner". It is this difference that worries many New Yorkers, as the
Nation bombs Afghanistan. Whether or not individual citizens of Gotham support
today's military actions, they fear that their reasons for forming such views
are not the same as the rationales the rest of America uses in formulating its
positions. Once again, the New York islands feel separated from Main Street
America. And that is tough, after bathing for nearly three weeks in the Nation's
affections.
These are, indeed, confusing times.
Be well. Be safe. Stand defiant.
Laurie Garrett